Well, I was driving around Los Angeles this weekend and noticed a theme that I thought I should make you aware of.




Hope these help.




The Port of Los Angeles. Quinn has been called there to do a job. A body has arrived in a shipping container, and he has been hired to dispose of it. Only the body isn't just another nameless corpse. And Quinn realizes his job won't be over just because the deadman has been buried.
1. EMAIL me at: contest@brettbattles.com
2. Subject line should read "THE DECEIVED Sweepstakes #1" or something similar.
3. IMPORTANT: In the body of the email, give me the name and the author of the best book you've read in the last three months. I'll post the list here at the end of the sweepstakes.
4. Everyone entering will be added to my mailing list, so if you don't want to be added, say so in the body of the message. (No worries, this will not change your chances. Everyone who enters is equally eligible. And if you are already on my mailing list, you are still eligible.)
5. SWEEPSTAKES CONCLUSION: No more entries will be accepted after 6:00 p.m. Pacfic Time (Los Angeles) on February 28th. That's almost 3 weeks to get your entry in! I'll draw the winner that night and post details on February 29th (LEAP DAY!)
In this project, all superfluous devices were removed from an 86’ Buick Regal – the engine, suspension, transmission and electrical system – thereby reducing the weight of the vehicle whilst preserving its appearance. It was then equipped with 4 independent pedal and gear mechanisms that make it possible for passengers to form the self-propulsion group. A cutting edge transmission technology was developed to transmit the power supplied by the passengers to the drive wheels and to vary the reduction ratios between cyclists and wheels, so as to ensure their progressive coupling for start-ups. With a top speed of around 15 km/h, the vehicle’s resistance to the culture of performance is raised to an unprecedented level.











Jeanne Cross’s contented suburban life gets a jolt of energy from the arrival of Ali Mather, the stunning new music teacher at the local high school. With a magnetic personality and looks to match, Ali draws attention from all quarters, including Jeanne’s husband and son. Nonetheless, Jeanne and Ali develop a deep friendship based on their mutual vulnerabilities and long-held secrets that Ali has been recording in her diary. The diary also holds a key to something darker: Ali’s suspicion that someone has been entering her house when she is not at home. Soon their friendship will be shattered by violence—and Jeanne will find herself facing impossible choices in order to protect the people she loves.
“Twists and turns but never lets go.”
—Jacquelyn Mitchard, bestselling author of The Deep End of the Ocean
“Outright chilling.”
—New York Daily News
“Genuinely creepy . . . The unlikely friendship between a small-town school secretary and a flamboyant teacher proves deadly in this psychological murder mystery.”
—Kirkus Reviews
“A twisting ride full of dangerous curves and jaw-dropping surprises. This is one of my favorite reads of the year!”
—Tess Gerritsen, bestselling author of The Mephisto Club
“A quirky, well-written and well-constructed mystery with an edge.”
—Publishers Weekly



Missing Witness by Gordon Campbell (HarperCollins - William Morrow)
In the Woods by Tana French (Penguin Group - Viking)
Snitch Jacket by Christopher Goffard (The Rookery Press)
Head Games by Craig McDonald (Bleak House Books)
Pyres by Derek Nikitas (St. Martin's Minotaur)
Christine Falls by Benjamin Black (Henry Holt and Company)
Priest by Ken Bruen (St. Martin's Minotaur)
The Yiddish Policemen's Union by Michael Chabon (HarperCollins)
Soul Patch by Reed Farrel Coleman (Bleak House Books)
Down River by John Hart (St. Martin's Minotaur)
This animation was created by all the students in COMS274 Intermedia I, Dept of Communication Studies, Concordia University, Fall 2007. Working in Flash, all 64 students rotoscoped 1-3 seconds of video each, over a period of three weeks. (Most of them had never used Flash before.)
We were inspired by Bob Sabiston's digital rotoscoping (as seen in Snack and Drink, Waking Life, A Scanner Darkly), and our readings and class discussions about copyright and creativity.






Moscow, 1939. In the recesses of the infamous Lubyanka prison, a young archivist is sent to authenticate an unsigned story confiscated from one of the many political prisoners there. The writer is Isaac Babel. The great author of Red Cavalry is spending his last days forbidden to write, his final manuscripts consigned to the archivist, Pavel Dubrov, who will ultimately be charged with destroying them. The emotional jolt of meeting Babel face-to-face leads to a reckless decision: he will save the last stories of the author he reveres, whatever the cost.
From the margins of history, Travis Holland has woven a tale of the greatest power. Pavel’s private act of courage in the face of a vast bureaucracy of evil invigorates a life that had lost its meaning, even as it guarantees his almost certain undoing. A story of suspense, courage, and unexpected avenues of grace, The Archivist’s Story is ultimately an enduring tribute to the written word.

The house was deathly quiet. That was the first sign that something was terribly wrong. Fourteen-year-old Cynthia Bigge woke that morning to find herself alone. Her family—mother, father, and brother—had vanished without a word, without a note, without a trace. Twenty-five years later, Cynthia is still looking for answers. Now she is about to learn the devastating truth.
From critically acclaimed author Linwood Barclay comes a new suspense thriller that strikes to the core of our most primal fear. What if you woke one day to find your entire life had changed? If everyone you loved had disappeared overnight without so much as a chance to ask why?
Cynthia and Terry Archer still live in Milford, Connecticut, not far from the old Bigge house on Hickory Street. With a solid marriage and a young daughter, the Archers seem on track for a successful future. But the questions raised by Cynthia’s past still haunt her, and her obsession to find the answers threatens to destroy everything they’ve worked for. For Cynthia, there can be no closure until she finds out why her family disappeared—and how they could have left her behind.
Terry thinks the segment on the popular TV crime-stopper program Deadline is a mistake. But his wife hopes that someone watching will have a lead to her missing family. Sure enough, it’s Cynthia who spots the strange car cruising the neighborhood, hears the untraceable phone calls, and discovers the ominous “gifts.” And as Cynthia’s nerves begin to unravel, no one’s innocence is guaranteed, not even her own. By the time the first body is found, it’s clear that her past is more of a mystery than she ever imagined—or may ever survive.
Someone has returned to this Connecticut town to finish what was started twenty-five years ago. And by the time Terry and Cynthia discover the killer’s shocking identity, it will be too late even for goodbye.










7/7/2007
1:00 P.M
Mysteries To Die For
2940 Thousand Oaks Blvd.
Thousand Oaks, CA 91362
805-374-0084
6:30 P.M.
LAUNCH PARTY/SIGNING
Mystery Bookstore
1036-C Broxton Avenue
Los Angeles, CA 90024
310-209-0415
7/12/2007
Partners & Crime
New York, NY
7/12-7/15/2007
ThrillerFest
New York, NY
7/17/2007
6:30 P.M.
Palms-Rancho Park Branch
Los Angeles Public Library
2920 Overland Avenue
Los Angeles, CA 90064
(310) 840-2142




